Team “Scores that shaped our friendship”
Lucy Wilke was born in 1984 and is a singer, actor, dancer, writer and director. She writes film scripts, directs theatre plays and has directed several short films, including works with the actors Shenja Lacher and Lambert Hamel. Since 2013 she has performed all over Germany with her band BLIND AND LAME.
She has SMA (Spinal Muscular Atrophy) and uses a wheelchair. Lucy is a big fan of black humour and irony and she lives for art and for love. She is a trained speaker and singer. She received her stage training at the International Munich Art Lab. As a performer she played one of the leading roles in the musical “EXTAZE”. This was followed by the role of the white swan princess with the dance ensemble abArt in an interpretation of “Swan Lake”. In 2017, Lucy Wilke acted in the theatre performance “Fucking Disabled” directed by David von Westphalen at venues including PATHOS München, a production that was invited to Rodeo 2018, the Munich festival for independent theatre. In 2018, she danced in “Anthropomorphia”, a production by Tanzlabor Leipzig at the Lofft Theater and sang in the show “SEIN – Show der Begegnung” by un-label. In 2019, she played Phaedra in “Phaedra” by Monster Truck, a co-production between the SOPIENSÆLE Berlin and the Münchner Kammerspiele. With The Agency she performed the play “Medusa Bionic Rise” at the Radikal jung Festival in Munich and at PACT Zollverein in Essen. That same year Lucy sang and acted solo in the multimedia installation “Re-Construction” by un-label at the Athens State Opera and Cologne Opera. She is currently working on a new performance in various different European countries with the production “Lands of Concerts”.
She has been an ensemble member at the Münchner Kammerspiele since autumn 2020.
In 2017, Lucy Wilke and Paweł Duduś acted together in the theatre production “Fucking Disabled” directed by David von Westphalen. In the last three years they have repeatedly seen each other and undertaken a range of activities together. In 2018, they moderated workshops entitled “The Erotics of Restriction” as part of the festival xplore Berlin – The Festival on the Art of Lust. The workshop used simulation of a physical disability to attempt to break with familiar processes and patterns. This collaboration passionately explored the physicality of a restricted body and concentrated on developing a body-positive and body-friendly choreographic language. In their universe of micromovements, emphasis lies on the intensity of movement – not in its size but in the depth of the encounter between the persons involved. They often think together about beauty, attractiveness and relationships. A distinctive feature they both share is their strong appetite for adventure. In their free time they both enjoy time in the Olympiapark if the weather is warm and sunny.
In 2020, they presented “SCORES THAT SHAPED OUR FRIENDSHIP” at schwere reiter in Munich and the Münchner Kammerspiele. For this piece they were awarded the 2020 German Theatre Prize DER FAUST in the category Best Dance Performance and were invited to the Theatertreffen 2021.
Projekte von Team “Scores that shaped our friendship”
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SCORES THAT SHAPED OUR FRIENDSHIP
Premiere: 13 February 2020, Schwere Reiter Munich
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Fucking Disabled
Premiere: 2. June 2017, PATHOS Ateliers (Munich)
Paweł Duduś was born in Poland on a sunny day in August 1989 and is a queer migrant feminist, who has devised his artistic vocabulary from experiences in dance, theatre and performance art. Over the course of time, he has lived and worked in a range of places which has contributed to a broader socio-political sensibility that inspires his present artistic work.
One of the most important artistic and life experiences to influence Paweł Duduś was “#onlyloveisreal” – a collaboration based on friendship with Laura Eva Meuris – an ongoing research project dedicated to the themes of intimacy, love and (self-)caring.
Paweł Duduś has concentrated intensively on the subject of sexuality, focussing on the correlation between sexual expression and our identity while also looking for ways that we might reform the patterns and habits people use in the way they interact in intimate surroundings.
People that Paweł Duduś has enjoyed working with in the past include David Bloom, David von Westphalen, Mor Shani, Martina Rösler, Alessandro Sciarroni. In 2018 he took part in the year-long dance project “Negotiations” by Alexander Gottfarb, which was produced jointly by Tanzquartier Wien and Kunstverein Archipelago.
In 2017 Lucy Wilke and Paweł Duduś acted together in the theatre production “Fucking Disabled”, directed by David von Westphalen, that premiered at PATHOS München and was also invited to Rodeo 2018, Munich’s festival of independent theatre.
In the last three years they have repeatedly seen each other and undertaken a range of activities together. In 2018 they moderated workshops entitled “The Erotics of Restriction” as part of the festival xplore Berlin – The Festival on the Art of Lust. The workshop used simulation of a physical disability to attempt to break with familiar processes and patterns. This collaboration passionately explored the physicality of a restricted body and concentrated on developing a body-positive and body-friendly choreographic language. In their universe of micromovements, emphasis lies on the intensity of movement – not in its size but in the depth of the encounter between the persons involved. They often think together about beauty, attractiveness and relationships. A distinctive feature they both share is their strong appetite for adventure. In their free time they both enjoy walking in the Olympiapark if the weather is warm and sunny.
In 2020 Lucy Wilke and Paweł Duduś performed “SCORES THAT SHAPED OUR FRIENDSHIP” at schwere reiter in Munich and the Münchner Kammerspiele. For this piece they were awarded the 2020 German Theatre Prize DER FAUST in the category Best Dance Performance and invited to the 2021 Theatertreffen.
Kim Ramona Ranalter was born in Munich in 1981 and discovered herself as a young adult with a great thirst for artistic and musical knowledge and an unrestrained delight in combining works, materials and forms of expression on stage. Now she most likes working as a theatre-maker, music producer, musician and DJ* Kim_Twiddle together with artists and ensembles of all backgrounds on interdisciplinary projects.
After two years of stage training with IMAL Musiktheater e. V. (International Munich ArtLab), she worked there until 2013 as Assistant to the Musical Director and a lecturer on Arrangement and Studio Technology. From 2014 to 2018 she worked with the directors Sapir Heller, Manuela Mantini, Leonie Pichler and Caitlin Maas and the ensembles Turbowerk MUC, FBM e. V., Theter e. V. and Bluespots Productions as part of Bavaria’s independent theatre scene.
Since 2016 she has increasingly focussed on electronic music composition and sound design. As an electronic one-woman chorus she produces and performs her music in analogue style without a screen or a laptop, using electronic sound generators from the early 2000s (samplers, synth, loop station). In between retro pop and sci-fi she interprets music ranging from electronica, pop, hiphop and classical to experimental for theatre works and devises abstract sound for multimedia works and installations.
Recently she devised and played the stage music for “Amsterdam” (2019/2020) at the Munich Volkstheater and “SCORES THAT SHAPED OUR FRIENDSHIP” (2020).
She is currently creating the sound design for a third joint audio-visual durational exhibition with the media artist Barbara Herold in a public virtual space. After the success of interactive AR Apps, the stereoscope VR game environment “Parcour” opened in March 2021.
Since 2018 she has also been active as part of the queer feminist DJ* collective WUT: here, together with Munich-based DJ*s, producers and musicians, she develops intersectional events, coaching and network structures and also political interventions.